Media Summary: During the recent in-person workshop one of the participants raised the question about the halo effect. Artist/ Getting back to basics, a subscriber asks artist/ Mixing paints to raise or lower the intensity has long been a struggle for many artists. Artist/

Quick Tip 349 Good Art - Detailed Analysis & Overview

During the recent in-person workshop one of the participants raised the question about the halo effect. Artist/ Getting back to basics, a subscriber asks artist/ Mixing paints to raise or lower the intensity has long been a struggle for many artists. Artist/ A keen-eyed subscriber noticed shadows among the books in the background of a previous There were still some questions on what constitutes warm and cool colors while painting. Artist/ A subscribe expressed frustration over not being selected for a competition. Artist/

A subscriber's question leads to another approach on how to enlarge your resource to create a bigger painting. A request to dive deeper into painting unification prompts artist/ A subscriber that live on an island with many waterfalls wondered how to interpret the varying gradations of the water, fog and mist ... A question came in on how to detail leaves. The subscriber had watched the

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Quick Tip 349 - Good Art Bad Art
Quick Tip 400 - The Halo Effect
Quick Tip 278 - Holding the Brush
Quick Tip 346 - Raising and Lowering Intensity
Quick Tip 388 - Disappearing Into the Shadows
Quick Tip 358 - Clarifying Warm and Cool
Quick Tip 390 - Staying Motivated About Painting
Quick Tip 251 - The Big Picture
Quick Tip 387 - Unifying with Temperature
Quick Tip 348 - You Can Make A Rainbow
Quick Tip 359 - Waterfall Gradation
Quick Tip 351 - Balance Axis
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Quick Tip 349 - Good Art Bad Art

Quick Tip 349 - Good Art Bad Art

What is

Quick Tip 400 - The Halo Effect

Quick Tip 400 - The Halo Effect

During the recent in-person workshop one of the participants raised the question about the halo effect. Artist/

Quick Tip 278 - Holding the Brush

Quick Tip 278 - Holding the Brush

Getting back to basics, a subscriber asks artist/

Quick Tip 346 - Raising and Lowering Intensity

Quick Tip 346 - Raising and Lowering Intensity

Mixing paints to raise or lower the intensity has long been a struggle for many artists. Artist/

Quick Tip 388 - Disappearing Into the Shadows

Quick Tip 388 - Disappearing Into the Shadows

A keen-eyed subscriber noticed shadows among the books in the background of a previous

Quick Tip 358 - Clarifying Warm and Cool

Quick Tip 358 - Clarifying Warm and Cool

There were still some questions on what constitutes warm and cool colors while painting. Artist/

Quick Tip 390 - Staying Motivated About Painting

Quick Tip 390 - Staying Motivated About Painting

A subscribe expressed frustration over not being selected for a competition. Artist/

Quick Tip 251 - The Big Picture

Quick Tip 251 - The Big Picture

A subscriber's question leads to another approach on how to enlarge your resource to create a bigger painting.

Quick Tip 387 - Unifying with Temperature

Quick Tip 387 - Unifying with Temperature

A request to dive deeper into painting unification prompts artist/

Quick Tip 348 - You Can Make A Rainbow

Quick Tip 348 - You Can Make A Rainbow

Artist/

Quick Tip 359 - Waterfall Gradation

Quick Tip 359 - Waterfall Gradation

A subscriber that live on an island with many waterfalls wondered how to interpret the varying gradations of the water, fog and mist ...

Quick Tip 351 - Balance Axis

Quick Tip 351 - Balance Axis

Artist/

Quick Tip 509 - A Detail of Leaves

Quick Tip 509 - A Detail of Leaves

A question came in on how to detail leaves. The subscriber had watched the